Part 20, On the road to distribution

buzz_mclaughlin_producerAs our festival run got underway with San Sebastian, we were already thinking in terms of finding a distributor.

I have to say at the outset of sharing this part of our journey that the timing for us with this film in terms of what was beginning to happen in the industry in general for indie filmmakers was not the most advantageous.

A retrenchment among distributors of indie films was at that time already quietly underway—a retrenchment that surfaced big time about a year ago with the demise Read the rest of this entry »

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Part 19, Taking our film to Eastern Europe

buzz_mclaughlin_producerAfter our American premiere at the Starz Denver Film Festival we continued to tour the festival circuit for well over another year. The entire list of seventeen festivals can be found on this website’s film festival page.

It was quite an adventuresome time for us as we always had at least two more festivals looming as another one was wrapping up.

Probably the most fun experience for us was a trip that Aaron and I made with Ian Somerhalder and his father Robert to the Vilnius International Film Festival in Lithuania. And it serves as an excellent example of how being selected at one festival Read the rest of this entry »

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Part 18, Playing the film festival game

buzz_mclaughlin_producerWhen you’re just starting out with your first feature film, playing the festival game can be a bit daunting.

The dilemma, of course, is to know—especially at the front end of a film’s festival run—which invites to accept. Everyone told us to be careful and strategize how we wanted to play this. The premiere only happens once and until that card is played, it has great potential value. Once it’s played, the top festivals are pretty much off the table, as “premiere-itis” among the major festivals is very much alive and kicking as it has been for many years.

So from the beginning the question was: given our Read the rest of this entry »

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Part 17, Hanging out at the San Sebastian Film Fest

buzz_mclaughlin_producerOnce our opening night was over all of us breathed a sigh of relief and set about having a good time at the festival in one of most beautiful cities in Europe. The festival itself helped out in numerous ways by supplying us with great hotel rooms with ocean views, passes to everything, and numerous dinners and parties in various tucked-away places in the oldest section of town. We enjoyed seeing films from around the world and caught glimpses of film actors and directors there such as Jeanne Moreau, Max von Sydow, Matt Dillon, Tom DiCillo and Steve Buscemi.  One night we wandered back from a screening of “The Children of Men,” amazed at Read the rest of this entry »

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Part 16, How we almost missed our world premiere

buzz_mclaughlin_producerAaron and his wife Keri and me and my wife Kris flew from Boston to Paris, then took a connecting flight to Berlitz in the far southwest corner of France. Picking up a rental car, we drove into Spain from there, arriving in San Sebastian about an hour later.

Ian Somerhalder and fellow “Lost” star Maggie Grace arrived separately, as did Ron Wyman our documentarian and Mark Constance, one of our producers. Ron suffered quite a trauma getting there as his cameras were lost in transit (and never recovered except for insurance replacement months later) and Mark’s plane connections delivered him to the hotel in the middle of the night, long after Read the rest of this entry »

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Part 15, Sneaking into a major festival

buzz_mclaughlin_producerAs September approached and the San Sebastian International Film Festival was rapidly coming into view, a whirlwind of activity commenced for us.

People in the film industry were excited for us and everyone was giving us tips on how to best “play” the festival. Being the innocent greenhorns we were, we listened gratefully and tried to implement as many suggestions as we could.

One of the interesting episodes we encountered in these final weeks before the festival was a meeting we had with one of the top movie PR firms in Los Angeles. Having heard of our selection Read the rest of this entry »

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Part 14, Hitting the film festival circuit

buzz_mclaughlin_producerOur film festival run with The Sensation of Sight started out with a bang. Within a couple of weeks of having finished post on the film and with DVD screeners in hand, we submitted to several top festivals including Telluride, Toronto, and San Sebastian in Spain–the next big festivals coming up in the early fall.

Within three weeks of submitting, we received an invitation to the 54th San Sebastian International FilmFestival–one of the oldest festivals in the world and generally considered one of the top ten international fests. We were a bit stunned by this and surprised by the speed Read the rest of this entry »

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Part 13, Post production continues in L.A.

buzz_mclaughlin_producerAs Aaron and Mario were ensconced in their house in the woods editing, we also began making arrangements for moving our entire operation to Los Angeles where further finishing work on the film would commence once we had a “locked picture” in hand. The reason for planning this move from one coast to the other was because, after much research and investigation and receiving quotes for the work that needed to be done, we realized we could finish the post work on the film less expensively in Los Angeles than anywhere on the East Coast. The sheer volume of post production work in L.A. actually made for lower quotes and therefore a favorable cost Read the rest of this entry »

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Part 12, Editing the film

buzz_mclaughlin_producerNext we headed into the post production process, which lasted from the end of the shoot in mid-November until the end of April–approximately five and a half months.

The first step, once we’d caught our breath after the wrap party, was to begin the editing of the film. We were fortunate to be able to rent an isolated and beautiful country house for this purpose right next door to my home in the Stoddard hills of southwest New Hampshire and just up the road from where Aaron lived. Our editor Mario Ontal, who had worked on a number of John Sayles’  films, moved up from Read the rest of this entry »

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Part 11, From shoot to wrap

buzz_mclaughlin_producerAnd so the shoot progressed…

One of my favorite shots in the film–a shot that comes late in the movie at the highpoint of the story–is of the classic New England clock tower on top of the Unitarian Church in the middle of Peterborough. We were lucky enough (I’m noticing I’m using that word “lucky” a lot) to have our second unit catch a huge flock of  pigeons nestled on the tower one afternoon.

After setting up camera, one of the crew slammed two pieces of 2×4 boards together with a load whack. And suddenly all the birds took off together in a burst of energy and fluttering wings, made a wide Read the rest of this entry »

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